The Coursera Blues Jam

I wrote last time that I was involved with a little side project with some fellow students of the Developing Your Musicianship course offered by the Berklee College of Music through Coursera. That project is now complete, and I share it with you here.

First, a few notes from our producer:

In early May, a small group of us in our FaceBook study group decided to put together a little blues jam track, the idea being to have a little fun together irrespective of whether we were beginners or veteran musicians. We built a backing track within a couple of days and people were off.
Different skill levels. Different cultures. Different time zones. It still surprises me how easily this came together.
12 people.
11 different instruments.
18 days.
48 tracks.
2.3 GB of audio. (Mostly because of my inefficient workflow)
25+ hours of production, not counting the time we took to learn & perform our pieces.
10 minutes of bliss.

Credits:
Bass – Serban-Ionut Georgescu
Rhythm Guitars – Jim Bond, Aseem Mhaske
Drum Programming – Aseem
Clarinet – Miqueias Amorim
Background Vox – Miqueias, Caroline Lee, Rika Sato, Aseem
Additional instrumentation – Michele, Aseem
Production / Mixing: Aseem

Solos, in the order they appear:
Keys – Lauren Lastimosa
Vocals – Michele Dirks
Acoustic Guitar – Carlos Aragao
Harp – Robin Stadnyk
Vocals – Silje Benedicte
Flute – Rika Sato
Alto Sax – Caroline Lee
Vocals – Miqueias Amorim
Tenor Sax – Jibraan Saeed
Guitar – Jim Bond
Guitar – Aseem Mhaske

And now, the music, folks!

Be True

Time Out

The songwriting project I’ve written about is on hold for at least another week.

I’m finishing up another Berklee class offered through Coursera, “Developing Your Musicianship”. Our final assignment is to record a minor pentatonic blues riff over a prerecorded backing track. That’s due Friday.

The Facebook group dedicated to the course is also working on a project similar to the Cafe karaoke project. Several of us are submitting tracks that will allegedly blend into a collaborative blues tune. I’ve committed to submitting a rhythm riff and a lead line, which may or may not be used in the final project. That, too is due Friday, to coincide with the end of the course.

Once those two projects are wrapped up, I should be able to return to my [untitled song].